金色山庄

迷幻少女遇(♏️)著過氣(🎆)公安(👇)老頭，未(🐆)必是貓捉老鼠累鬥累(🐃)，也(🔭)可以是從老前輩身上學會認識自己。阿 P 為追阿(🎩)初欠(🏉)她的債，偶然與(🙀)阿初的外公相遇，兩個生(🕔)活態度南轅北轍的(♑️)人，就是這樣(📷)在荒謬的處境中相互學習。阿P在當中看見年青一代的(☁️)無奈：十六歲的(📆)迷(👅)途青春、(🌄)愛情的無助、軟性毒品的蠶食、面對父母失敗的婚姻(💢)、自己渾(⤵️)噩的前途....阿初(1️⃣)無故失(#️⃣)蹤(😕)，又是否因抵受不了同(ℹ️)樣殘酷的(🎂)青春？世情像玻璃(💍)，有時看得透，有時不，相(ℹ️)同的只是：兩者(🏈)同(😳)樣冰冷易碎。　　The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.　(😊)　(🍎)Source 25th HKIFF (2001)